although i tried to work it out so that my internet would be up and running by the time i got back to jordan, that has not turned out to be the case. i have tried two different companies here–one kuwaiti, one jordanian–and neither gives me a singal. the third and fourth option, well that’s my next post so you’ll have to wait to read about that. but all this is to day that for the next couple of weeks in particular, if you want to follow boycott news you should follow the u.s. campaign for the academic and cultural boycott of israel site via your news readers and twitter. many of you know that i also do that website; given that internet cafe time is challenging during ramadan (don’t forget to boycott those zionist terrorist colonist dates! ) for a number of reasons, on days when i can only manage a couple of hours that’s the blog i’ll be updating first.
but while i am on the subject of boycott i have a confession to make. since i was about fourteen years old i have had a secret love of madonna’s music. not all of it. not all of the time. but it was one of my closeted guilty pleasures in life. (i don’t have many.) over the past few years, enabled by the invention of mp3s and also the fact that i move so much, i no longer have any cds, just mp3 files of music i like (most of which is political). so, when macy gray had her event with the zionist terrorist colonist consolate in los angeles last year, i deleted her from my computer. likewise i did the same for madonna a few weeks ago. and here’s why:
“I truly believe that Israel is the energy center of the world. And I also believe that if we can all live together in harmony in this place, then we can live in peace all over the world.”
Meanwhile in Gaza on Monday, fishermen were attacked by Israel “Defense” Forces for…fishing. Apparently, they failed to live “in harmony” well enough.
here is the above-referenced appalling video (if you can hold your cookies…) :
2. Any political malaise that she may have risked evoking among Israelis dissipated when she was handed an Israeli flag by one fan. Madonna used it to make her final parade on the stage draping herself in Israel’s national blue-and-white colours and displaying where her sympathies lie.
There was certainly none of the controversy she had aroused on her previous two stops, in Romania and Bulgaria.
In Sofia, the Orthodox clergy berated her for showing disrespect to Christianity. In Bucharest, she was booed for criticising discrimination against the Roma (gypsies) of Eastern Europe.
Midway through the show, breaking away from the carefully scripted performance, Madonna expressed her deep affection for Israel: “I shouldn’t have stayed so long away,” she told the adoring crowd. Her last concert here was in 1993.
The 51-year-old entertainer has long claimed a special bond with the Jewish state. For more than a decade, she’s been flirting with the Kabbalah, the essence of Jewish mysticism, and has even adopted a Hebrew name, Esther.
In the run-up to the first of her two shows, Israeli radio stations played Madonna hits round the clock. On Army Radio, a DJ quipped, “Tonight, Aunt Esther is playing at Yarkon Park.”
Brought up as a Roman Catholic, Madonna wrote in advance of her Israeli tour in an article for Israel’s best-selling newspaper, Yediot Achronot, that the study of Kabbalah helps her understand life better.
Y-Net reported Friday that Madonna will light the sabbath candles and will spend time with Netanyahu’s children at the official residence in Jerusalem.
The pop singer, who sold out two Tel Aviv concerts, this week toured Jerusalem’s Old City and Tsfat, the seat of Jewish mysticism in northern Israel.
and this is why i’m psyched about artists against apartheid’s new propabanda site (basically a s^(* list of musicians who don’t abide by the boycott):
The artists listed here have committed to performing in Apartheid Israel, in disregard of the Cultural Boycott of the State’s ongoing human rights violations, apartheid rule, and expropriation of land from indigenous inhabitants.
To cover its extreme racism, massacres, and flagrant violations of Human Rights and International Law, the Zionist State of Israel relies heavily on propaganda “Branding Efforts”, spending Millions of Dollars per year on public relations campaigns, and encouraging “whitewashing” events such as concerts by these International Artists:
Sponsor: Israel Discount Bank (which also finances settlements on stolen Palestinian land)
Faith No More
Pet Shop Boys
These artists may be drawn by extraordinarily high performance fees, or the desire to “sing for peace”. However, the cultural effect of their appearance is to assist the Israeli ministries in their efforts to normalize of Israeli Apartheid, while disregarding the non-violent struggle for equal rights and justice in Palestine-Israel.
If you are an artist interested in coordinating with the non-violent resistance to colonialism and apartheid, please refer to the Guidelines for Applying the International Cultural Boycott of Israel recommended by the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) before booking your tour.
i can proudly say i do not have a single mp3 song with any of the above apartheid supporting musicians.
and, the other big story on the boycott news front–with those adhering to it and respecting it, that is–is about the toronto film festival:
An Open Letter to the Toronto International Film Festival:
September 2, 2009
As members of the Canadian and international film, culture and media arts communities, we are deeply disturbed by the Toronto International Film Festival’s decision to host a celebratory spotlight on Tel Aviv. We protest that TIFF, whether intentionally or not, has become complicit in the Israeli propaganda machine.
In 2008, the Israeli government and Canadian partners Sidney Greenberg of Astral Media, David Asper of Canwest Global Communications and Joel Reitman of MIJO Corporation launched “Brand Israel,” a million dollar media and advertising campaign aimed at changing Canadian perceptions of Israel. Brand Israel would take the focus off Israel’s treatment of Palestinians and its aggressive wars, and refocus it on achievements in medicine, science and culture. An article in Canadian Jewish News quotes Israeli consul general Amir Gissin as saying that Toronto would be the test city for a promotion that could then be deployed around the world. According to Gissin, the culmination of the campaign would be a major Israeli presence at the 2009 Toronto International Film Festival. (Andy Levy-Alzenkopf, “Brand Israel set to launch in GTA,” Canadian Jewish News, August 28, 2008.)
In 2009, TIFF announced that it would inaugurate its new City to City program with a focus on Tel Aviv. According to program notes by Festival co-director and City to City programmer Cameron Bailey, “The ten films in this year’s City to City programme will showcase the complex currents running through today’s Tel Aviv. Celebrating its 100th birthday in 2009, Tel Aviv is a young, dynamic city that, like Toronto, celebrates its diversity.”
The emphasis on ‘diversity’ in City to City is empty given the absence of Palestinian filmmakers in the program. Furthermore, what this description does not say is that Tel Aviv is built on destroyed Palestinian villages, and that the city of Jaffa, Palestine’s main cultural hub until 1948, was annexed to Tel Aviv after the mass exiling of the Palestinian population. This program ignores the suffering of thousands of former residents and descendants of the Tel Aviv/Jaffa area who currently live in refugee camps in the Occupied Territories or who have been dispersed to other countries, including Canada. Looking at modern, sophisticated Tel Aviv without also considering the city’s past and the realities of Israeli occupation of the West Bank and the Gaza strip, would be like rhapsodizing about the beauty and elegant lifestyles in white-only Cape Town or Johannesburg during apartheid without acknowledging the corresponding black townships of Khayelitsha and Soweto.
We do not protest the individual Israeli filmmakers included in City to City, nor do we in any way suggest that Israeli films should be unwelcome at TIFF. However, especially in the wake of this year’s brutal assault on Gaza, we object to the use of such an important international festival in staging a propaganda campaign on behalf of what South African Archbishop Desmond Tutu, former U.S. President Jimmy Carter, and UN General Assembly President Miguel d’Escoto Brockmann have all characterized as an apartheid regime.
This letter was drafted by the following ad hoc committee:
Udi Aloni, filmmaker, Israel; Elle Flanders, filmmaker, Canada; Richard Fung, video artist, Canada; John Greyson, filmmaker, Canada; Naomi Klein, writer and filmmaker, Canada; Kathy Wazana, filmmaker, Canada; Cynthia Wright, writer and academic, Canada; b h Yael, film and video artist, Canada
Ahmad Abdalla, Filmmaker, Egypt
Hany Abu-Assad, Filmmaker, Palestine
Mark Achbar, Filmmaker, Canada
Zackie Achmat, AIDS activist, South Africa
Ra’anan Alexandrowicz, Filmmaker, Jerusalem
Anthony Arnove, Publisher and Producer, USA
Ruba Atiyeh, Documentary Director, Lebanon
Joslyn Barnes, Writer and Producer, USA
John Berger, Author, France
Dionne Brand, Poet/Writer, Canada
Judith Butler, Professor, USA
David Byrne, Musician, USA
Noam Chomsky, Professor, USA
Guy Davidi Director, Israel
Na-iem Dollie, Journalist/Writer, South Africa
Igor Drljaca, Filmmaker, Canada
Eve Ensler, Playwright, Author, USA
Eyal Eithcowich, Director, Israel
Sophie Fiennes, Filmmaker, UK
Peter Fitting, Professor, Canada
Jane Fonda, Actor and Author, USA
Danny Glover, Filmmaker and Actor, USA
Noam Gonick, Director, Canada
Malcolm Guy, Filmmaker, Canada
Mike Hoolboom, Filmmaker, Canada
Annemarie Jacir, Filmmaker, Palestine
Fredric Jameson, Literary Critic, USA
Juliano Mer Khamis, Filmmaker, Jenin/Haifa
Bonnie Sherr Klein Filmmaker, Canada
Paul Laverty, Producer, UK
Min Sook Lee, Filmmaker, Canada
Paul Lee, Filmmaker, Canada
Yael Lerer, publisher, Tel Aviv
Jack Lewis, Filmmaker, South Africa
Ken Loach, Filmmaker, UK
Arab Lotfi, Filmmaker, Egypt/Lebanon
Kyo Maclear, Author, Toronto
Mahmood Mamdani, Professor, USA
Fatima Mawas, Filmmaker, Australia
Tessa McWatt, Author, Canada and UK
Cornelius Moore, Film Distributor, USA
Yousry Nasrallah, Director, Egypt
Rebecca O’Brien, Producer, UK
Pratibha Parmar, Producer/Director, UK
Jeremy Pikser, Screenwriter, USA
John Pilger, Filmmaker, UK
Shai Carmeli Pollak, Filmmaker, Israel
Ian Iqbal Rashid, Filmmaker, Canada
Judy Rebick, Professor, Canada
David Reeb, Artist, Tel Aviv
B. Ruby Rich, Critic and Professor, USA
Wallace Shawn, Playwright, Actor, USA
Eyal Sivan, Filmmaker and Scholar, Paris/London/Sderot
Elia Suleiman, Fimmlaker, Nazareth/Paris/New York
Eran Torbiner, Filmmaker, Israel
Alice Walker, Writer, USA
Thomas Waugh, Professor, Canada
Howard Zinn, Writer, USA
Slavoj Zizek, Professor, Slovenia
and if you want a real treat check out an amazing artist and musician who has an amazing vision and history. here is an interview with the incomparable harry belefonte and avi lewis on al jazeera’s fault lines: